 |
Tonelux Mp1A Discrete Mic Pre with TILT
The MP1A is an all discrete Mic Pre with both XLR Mic level inputs as well as an unbalanced instrument input. The MP1A has a VU meter and a Peak LED that work independently of each other. There is also the now famous TILT control (TM) that adds or subtracts a minute amount of low or highs.
|
|
 |
AKG Perception 820 - NAB 2010
AKG Perception 820 - Tube Microphone
|
|
 |
Tascam mixers - MusikMesse 2009
Overview of the new Tascam mixers at Franckfurt MusikMesse 2009.
|
|
 |
Neumann's history part 2
From the beginning til the end
|
|
 |
Earthworks 1021 1022 1024 Mic Preamp Video Demo
The Earthworks 1021, 1022, and 1024 Zero Distortion Preamps are completely free of noise and distortion, and are really a lot like "wire and gain." Such transparency, accuracy and detail in a mic preamp are extremely useful when the sound of the instrument coupled with an amazing microphone should...
|
|
 |
AES 2013 Eventide Mixing Link
Microphone Preamp with Effects Loop and Phantom Power.
|
|
 |
Api The Box
Project Recording and Mixing Console.
|
|
 |
Sontronics STC-20 Cardioid Condenser Microphone
This microphone has been specifically designed to combine all the professional sound and build quality that Sontronics microphones have become renowned for with excellent value. Yet despite its incredible affordability, the STC-20 delivers brilliant results in most studio applications, particularly ...
|
|
 |
Korg introduce the Sound on Sound Recorder - NAMM 2010
Korg give us an overview of the new Sound on Sound Unlimited Track Recorder
|
|
 |
Pultec EQP-1A3 Is A Great Enhancement Tool At CRC
Chris Shepard at Chicago Recording Company doesn't need to "fix" things, because he does it right the first time. We can all use a little enhancement, though -- and Chris is not above it either. Hear how he uses his Pultec EQP-1A3 to aid in this process.
|
|
 |
PreSonus StudioLive 24.4.2 - Winter Namm 2010
Following up on the runaway success of its StudioLive 16.4.2 digital mixer, PreSonus announced a new member of the family: the StudioLive 24.4.2. Like its 16-channel sibling, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements ...
|
|
 |
AES'08: Focusrite Forte Suite
Focusrite Forte Suite Overview
|
|
 |
Frankfurt Musikmesse 2008: Beyerdynamic TG-X 930
Beyerdynamic TG-X 930 : True Condenser Vocal Microphone
|
|
 |
CM Labs Merlin Phase1
CM Labs Merlin Console Development.
|
|
 |
Two Stage Compression Part 1
Monster Island TV: Mike Caffrey explains the two stage compression technique from the Tape Op magazine article in the 2007 AES issue.
|
Loading...