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PreSonus StudioLive 24.4.2 vs. Behringer X32: Line Check and Input Gain
John Mills, Vice President of Morris Light & Sound, brings us a step-by-step comparison of what it's like to set up your pre-show line check on both the PreSonus StudioLive 24.4.2 and the Behringer X32.
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The Sennheiser E905 And E904 Microphones Both Get 3-6 DB More Gain Before Feedback, Have Great Tran
The e905 and e904 microphones are two more Sennheiser mics custom-designed for drum applications. They both get 3-6 dB more gain before feedback, have great transient response and high SPL level. But you can get as specific as you want with these - the e905 claims to be perfect for a snare with its ...
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Two Stage Compression Part 1
Monster Island TV: Mike Caffrey explains the two stage compression technique from the Tape Op magazine article in the 2007 AES issue.
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Two Stage Compression Part 2
Monster Island TV: Mike Caffrey exaplains the two stage compression technique from the Tape Op magazine article in the 2007 AES issue
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MutantAudio.net - Parallel Compression Tutorial
This tutorial teaches the parallel compression technique as applied to drums.
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Drum compression for Hip Hop and urban Drums. Tube-Tech modular CM1A
Tube-Tech Tips*n Tricks by Vagn Luv Tophund Studios. Optical Tube Compressor CM1A used for drumsamples.
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Digital Overload
When dealing with audio overloads in the digital domain, limiter prevents from unacceptable distortions. Turning down the gain control is the other option.
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Tonelux TXC Compressor Module
Tonelux TXC Compressor, Feedforward and Feedback Blending, Tilt in the sidechain, Over Compression, Linking, Ultra Fast and Ultra Slow Attack, Side Chain, Input/Compression Parallel mixing and AutoGain Makeup!
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Compressor vs De-Expander
Two types of processor allow to lower the dynamic range. The compressor reduces the gain above the treshold while the de-expander increases the gain below the threshold. Since they don't touch the same part of the signal, the results are very different.
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Focusrite Octopre MkII Dynamic - NAMM 2010
8 Focusrite Mic-pres and compressors with built-in 24-bit / 96kHz ADAT out
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