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Mono Synth --- Poly Synth
Using EML Polybox, you can make polyphonic sound with 1 VCO monophonic synthesizer. Connection is Korg MS-10(1VCO synth) VCO out (customized) --- Polybox --- MS-10 VCF in
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NAMM2012 Arturia Minibrute Mono synth
A look at the new monosynth from Arturia. We have many more videos from NAMM bit.ly
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Korg Mono/Poly Analog Synthesizer pt.1
Vintage synth demo by RetroSound Korg Mono/Poly Analog Synthesizer from the year 1981 part1: Arpeggiator, Poly-Mode, Unisono-Mode and different VCO, VCF, Envelope and Effect settings The Korg Mono/Poly is one of the best monophonic classic analog synths but very underrated.
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Oberheim OB-X 8 Voice Analog Synth pt.2
Vintage synth demo by RetroSound Oberheim OB-X 8 Voice Polyphonic Analog Synthesizer from the year 1979. part2: demo of some features (not all) of the OB-X part1: with some self made classic OB-X sounds here: www.youtube.com part3: some self made classic OB-X sounds www.youtube.com The Oberheim...
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ARP Odyssey + Roland VP-330 "Mono Solo"
Vintage synth demo by RetroSound "Mono Solo" lead sound and bass: ARP Odyssey MkIII strings and human voice sounds: Roland VP-330 Vocoder Plus more info: www.retrosound.de and http and www.facebook.com
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Vermona MONO Lancet at the Gearjunkies TechLab
First look at the new Vermona MONO Lancet monophonic synthesizer at the Gearjunkies TechLab.
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Arturia Origin Galaxy Filter
Clips from the Arturia tutorial and teaser DVD.
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Moog - Dance Music Applications of Rhythmic Filter Modulation
The MF-101 Low Pass Filter's ENV OUT Control Voltage makes a number of amazing Rhythmic Modulation techniques possible. This video shows some of these applications in a Dance Music setting. This technique is not limited to Dance Music. The applications are as endless as your imagination.
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Selkies Synth 2
Between the Buried and Me's "Selkies: The Endless Obsession" performed on the Rogue Moog. Slower tempo throughout this time... and a cool intro
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Using Analog Sequencer
How to make Rythm/Bass pattern by Analog Sequencer. Using Roland System-100M module.
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