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Featured Videos

Featured Videos

Intermediate Drum Lesson For Gravity Blasts.
Drum Lesson 20 (Gravity...
06/09/08
3203
Intermediate Drum Lesson For Gravity Blasts.
DJ Shortee gave an impromptu exhibition of her scratching skills prior to her Drum & Bass production demo at MusikMesse
DJ Shortee Scratch...
05/27/11
3217
DJ Shortee gave an impromptu exhibition of her scratching skills prior to her Drum & Bass...
This is a direct comparison between my Minimoog (1976) and a Creamware Minimax ASB, trying to use the same settings on both instruments and playing them together or one at a time.
Minimoog vs. Minimax ASB
10/09/08
6037
This is a direct comparison between my Minimoog (1976) and a Creamware Minimax ASB, trying to...
Learn how to recreate the classic Brian May 'Don't Stop Me Now' guitar solo.
Getting the Brian May...
07/08/09
5366
Learn how to recreate the classic Brian May 'Don't Stop Me Now' guitar solo.
We're getting deeper into the metal side of the Schecter C-1 Black Market Custom, a limited edition C-1 Custom with all the right ingredients for heavy, riff based music. With this guitar's mahogany body and set neck, the Black Market Custom lays the foundation for low register tones while a black finished maple top adds definition and brilliance to high-gain metal tones. This Schecter C-1 Black Market Custom has an ebony fretboard to bring forth the crispness and quick attack that is ideal for anything from detailed diminished chords to tremolo picking. The special ingredient in making the Black Market Custom a metal monster is the Seymour Duncan Blackout humbuckers. Blackouts are specifically designed to be low noise, ideal for a high gain environment. - proguitarshop.com
Schecter C-1 Black Market...
04/19/12
3276
We're getting deeper into the metal side of the Schecter C-1 Black Market Custom, a limited...
These incredible live performances were tracked at Toontrack Studios Fall -2004. All drum & percussion sounds are from dfh SUPERIOR - Drums: Morgan Ågren - Percussion: Mikael Emsing - Keyboard/vocals: Mats Öberg
Toontrack - Live Jam 3...
08/29/08
4144
These incredible live performances were tracked at Toontrack Studios Fall -2004. All drum &...
A few weird and wonderful products from the 2009 Summer NAMM show.
Summer NAMM 2009: The Weird ...
08/30/09
4079
A few weird and wonderful products from the 2009 Summer NAMM show.
Blackstar amps at Summer NAMM 2010.
Summer NAMM 2010 Blackstar...
06/25/10
2863
Blackstar amps at Summer NAMM 2010.
Hopefully this video will help some of you guys avoid some of the common pitfalls that have plagued men for years...because Valentine's Day is the most important day of the year for girls...right?
Valentine's day Don'ts
02/14/10
3006
Hopefully this video will help some of you guys avoid some of the common pitfalls that have...
This Bricasti M7 V2 Discssion is a primer on the design philosophy surrounding the upgrade path to this legendary reverb, and the philosophy behind designing a box that will be here to stay in many years to come. While V1 of the Bricasti M7 was designed for transparent and accurate reverbs, V2 is designed to capture some of the original Mojo of early Lexicon reverbs, as well as taking those modulation style boxes (like Lexicon 224 and 480l) to the next (modern) level.
Bricasti M7 Reverb V2...
09/06/10
3437
This Bricasti M7 V2 Discssion is a primer on the design philosophy surrounding the upgrade path ...
Some beats with a 808.
Roland Tr-808 Demonstration
02/22/08
4914
Some beats with a 808.
Novation Electronic Dance Music Event at Musician's Institute, CA Subscribe to NovationTV: http://bit.ly/NovationTV ~ Click 'show more' for additional inform...
Novation // Electronic...
08/01/13
2127
Novation Electronic Dance Music Event at Musician's Institute, CA Subscribe to NovationTV:...
Take an inside look at what inspired us to implement touch in SONAR.
Cakewalk SONAR X2a: Touch - ...
01/02/13
2130
Take an inside look at what inspired us to implement touch in SONAR.
ZVex Super Duper 2-In-1 Boost / Overdrive Pedal Gentlemen/women, start your engines. This pedal is so dangerous that I'm sure I'll be getting a lot of complaint emails that people have blown up their amps using it. So let's just start this off by saying I WARNED YOU TO BE CAREFUL. When using this pedal, start off slow, and monitor your amp for potential damage. Don't have too much fun! OK, have too much fun, but don't blow up your amp in the process. Unless that's what you want, of course, and well, gosh darn it, it's your right. Good ol' Pete Townsend did it. Well, at least he poked his speakers out. All right, I'll try to stay on track here. Ahem. The SUPER-DUPER 2-IN-1 (TM) has two of my infamous but rather delightful Super Hard-On(TM) pedals in one small box, with two switches and LED indicators. HEY! I responded to your multitude of complaints that I don't put in LED's! Also, in this SUPER-DUPER 2-IN-1 (TM) (gosh I love saying that) is a Master volume control that lets you use it as an overdrive/distortion with any output volume. My my! How conventional, you say! Well, suffice to say, if it weren't there, you'd go deaf with both of those channels cranked up. This pedal is dangerously loud. Don't do what I did, and lean over in front of your speaker cabinet while turning it up. Ouch. Dang.
ZVex Super Duper 2-in-1...
06/20/08
4964
ZVex Super Duper 2-In-1 Boost / Overdrive Pedal Gentlemen/women, start your engines. This pedal ...
Hello all, this is a little experiment I've been up all night playing with and uploading this video. I got the original idea from a document called 'The Dub Scrolls' by the Interruptor (although the idea was submitted by davyvelocirapt0r) The idea was to run an AM radio (with a knob) into effects and slowly tune between stations. So that’s kind of what I did! Here’s the set up.. First up, there's a radio set up on the AM frequency band range. So this is our source. This signal is taken out of the radio through the 'headphone out'. Our signal is then going to the mini Korg Kaoss Pad (RCA Phono jack) - which is a dynamics effects processor, although this doesn’t mean its limited to just effecting the dynamics, this little box does so much more. It has 99 banks of effects, all with their parameters controllable by the XY pad. It also includes 2 memory points and also a tap tempo for time syncopated effects (which I loosely play with in this example, but not any noticeable effect as we don’t have a tempo or anytime of rhythm...just noise really I guess. So after our signal is manipulated inside the Korg miniKP, it comes out (via RCA Phono jack) and into the M-audio FastTrack Pro which is where the all the magic happens to record it down into binary code, the journey through multiplexors and all that jazz which I need to touch up my theory on! Ableton Live (7.0.3) is the program recording this audio down to storage. Our signal is coming through onto a channel strip where I've set up a low-pass filter to take away those awful high end screeches we might get from tuning the radio. The curve of the attenuation starts at around 2 kHz and then hits the bottom at around 5 kHz. After this in the processing chain on the channel, there is a frequency conscious ping-pong delay, with the frequencies that are to be effected set to 5 kHz. Although we've taken that exact frequency out with the Eq earlier (we've attenuated it - not completely taken away), the Q of the Eq on delay is quite wide, and so it’s affecting those around 5 kHz as well. This gives whatever’s left of the top end a nice smooth edge to it. Also, because its not getting as much gain as the rest of the track is, due to the curve of the Eq before it in the chain, the outcome of the combined processing has smoothed it further out and blurred it slightly, which is just what we want went scanning through the raw harsh bites of radio frequency 'noise'! That concludes the chain. So there is a quick bit of detail to how the experiment was set up, hopefully nothing to confusing...the visual element should help. ___________________________________________ I'll work on getting the WAV files up as soon as if people wants them, i think there are some interesting sound in there, such as ones that can be cut up and used for quick stabs or maybe take parts and stretch them to get an unusual atmosphere or texture. I'll upload both the Ableton Live processed version, and the version straight from the miniKP. Any questions I'll sure try to answer, and please do ask questions, or maybe share your own tips with similar set ups? Thanks for watching, hopes someones found interesting! - Al Vuelo - www.myspace.com/alvuelomusic - A Vision in Bloom -
Tuning a Radio via Korg...
02/11/10
5155
Hello all, this is a little experiment I've been up all night playing with and uploading this...
Todd Ehle teaching first steps towards good intonation.
Violin Lesson #18; Playing...
05/29/08
2826
Todd Ehle teaching first steps towards good intonation.
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