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Watch more online student spotlights at: bit.ly During their whirlwind tour to support the new album—including apperances on Saturday Night Live, Good Morning America, and The Tonight Show—Amy and Nick Noonan, Karmin's other half, sat town with us to talk about the industry, their education, and their rise to success.
Amy Heidemann and Nick...
05/12/12
2486
Watch more online student spotlights at: bit.ly During their whirlwind tour to support the new...
Steve Bailey, Hadrien Feraud and David Haynes showing the kids how it's done at NAMM 2012! From stage, we had a split snake, one tail going to FOH, and the other going to us for the broadcast. 2 fully independent mixes. At FOH, Jonathan was controlling the FOH mix, the monitors, and he was multi-track recording the performances using Studio One 2.0. He could've used our Capture software, but was using Studio One, so we could demonstrate the VSL and Q-mix control at the show. Some of the artists were controlling their respective monitor mixes via the Q-Mix app, and also, Rodney was demonstrating that we could control the entire mixer with the iPad using Virtual Studio Live. On my board, I was mixing as if I was doing my own FOH mix, and then outputting a L/R Stereo feed to your video equipment. The only difference at my board is that I had the master outs of the FOH board coming into lines 7 & 8, so if Jonathan did anything out front on his board, where the audio from his demo needed to be heard, I'd be able to capture it. We ended up not using that feature, but it was there if we needed. I used compression and EQ from the Fat Channel on nearly every channel. I didn't need gates, because all the instruments were DI'd, with Chris LeBlanc using an original Line6 POD before the DI for his guitar tones. For effects, I used a room reverb on bus A of the Studio Live 24.4.2, and on bus B, I used a ping-pong delay, and used Tap Tempo to set the delay times for each song. Lastly, I <b>...</b>
NAMM2012 Steve Bailey,...
02/03/12
3026
Steve Bailey, Hadrien Feraud and David Haynes showing the kids how it's done at NAMM 2012! From ...
This worn in treasure is truly one-of-a-kind. The Fender Custom Shop '62 Jazzmaster Relic Vintage Blonde has a distintive look that never goes out of style. And thanks to Fender's unique Relic process, you can own one that looks like it has been around since 1962! Two-single coil pickups, switchable lead and rhythm circuits and floating tremolo are only a few of features unique to this guitar. Whether you're looking for a Venture's-approved surf sound, warm jazz-infused tones, or modern alt-rock sonic.
Fender Custom Shop '62...
04/22/10
5389
This worn in treasure is truly one-of-a-kind. The Fender Custom Shop '62 Jazzmaster Relic...
This is a little music video in brickfilm-style for our song He Loves My Pies. This was initially thought to be a demo tune for the new ACE synthesizer turned into a pretty funny parody song. Which simply begged to be visualised with those Legos that were lurking in my closet. I couldn't resist to mix bricks with photos and 70ies style video effects though. The song was completely mixed in Logic with 24 tracks of ACE and 8 tracks for vocals. There's no EQ or anything anywhere, just a few compressors on the vocals. The photos were shot with a Canon EOS 30D SLR and grabbed with Dragon Stop Motion. Some photos were made the common way, such as the cat, the pies, the beach and the desert. These were then composited and animated in After Effects CS3. The ultimate trick for quick & dirty bluescreen technique: Use a computer monitor with a green image as a background while shooting the legos ;-) Enjoy, ;) Urs
U-he ACE : He Loves My Pies
12/26/09
3414
This is a little music video in brickfilm-style for our song He Loves My Pies. This was...
A short demo of my SR-120. It is a preset instrument with cool fill-ins. It has been used by AIR (if I'm correct). The sound quality is not that good, but good enough to get a view on this part of past.
Korg SR-120 Univox Drum...
02/06/10
6648
A short demo of my SR-120. It is a preset instrument with cool fill-ins. It has been used by...
Part 3/3: Spectrasonic's Eric Persing shows the new features in Omnisphere 1.3 at Musikmesse 2010. Footage by Spectrasonics and Studio Magazine (www.studio.se). Editing by Björn Olsberg, Studio Magazine.
Spectrasonics Trilian &...
05/25/10
4159
Part 3/3: Spectrasonic's Eric Persing shows the new features in Omnisphere 1.3 at Musikmesse...
In this video i show you how to use the filter and give you an idea of what it sounds like.
DENON DN-S1200 Tutorial on...
05/18/08
4836
In this video i show you how to use the filter and give you an idea of what it sounds like.
Sample Logic´s award-winning team presents a powerful collection of morphed guitar instruments harnessed in a remarkably adaptable
Sample Logic Cinematic...
10/11/11
6683
Sample Logic´s award-winning team presents a powerful collection of morphed guitar instruments...
Dave Aude shows us all the plug-ins in his new plug-in collection from Waves.
Into the Mix with DJ /...
10/15/13
4598
Dave Aude shows us all the plug-ins in his new plug-in collection from Waves.
Max/MSP Audio to Midi Transcription
Max/MSP Audio to Midi...
11/11/09
7799
Max/MSP Audio to Midi Transcription
Line 6's StageSource system includes the L3t Powered Speaker, a smart speaker that knows when it's standing upright on a pole, it behaves like a main, and that when you tilt it on its side, it's a stage monitor. It's just like an iPhone with an accelerometer! It also comes with onboard DSP and Line 6 LINK connectivity.
NAMM2012 Line 6 StageSource ...
01/30/12
2889
Line 6's StageSource system includes the L3t Powered Speaker, a smart speaker that knows when...
Docking station for recording music on iPad.
NAMM 2014 Focusrite iTrack...
01/23/14
4890
Docking station for recording music on iPad.
Rivera Sedona 55 demo Part 2
Rivera Sedona 55 Tube...
10/29/10
3844
Rivera Sedona 55 demo Part 2
Sonic Foundry Corporate video from 1998. This little piece of History is very close to my heart. I helped score the au­dio for this video back in the day when I used to work at Son­ic Foundry in Madison. You'll see me at about 3:16 mins in to the right (your left) of a very nerdy look­ing Mike Scheibinger. I'm hold­ing my chin and wear­ing a green hoody. My Side Of The Story: Ray sent me to Nashville in 1998 for the Summer NAMM convention and that is where the story really unfolds. I stopped by a demonstration at the Sonic Foundry booth and listened to their sales rep demonstrate the latest version of Sonic Foundry's ACID Pro. We had already sold ACID version 1.0 at zZounds and I of course was amazed at what this program could do simply because there was absolutely nothing else like it and it certainly was a total dream come true. After the demonstration they announced that they were hiring and if interested they were to speak with a representative back stage. I was the first and only person to respond which almost made it seem as though it was meant to be. I could hardly wait to return home because the meeting went well and my hopes were high. I followed through with every step immediately upon my arrival in Chicago and to no avail received a phone call from Mike Scheibinger at zZounds of all places, how nerve racking. Mike was interested and eager to meet and interview me at the Madison Wisconsin home base. My experience in Madison was almost dream like. Mike let me stay at his house the night before the interview, not even knowing who I was. He had a wife, daughter, and a dog all living in a humble home in Cottage Grove Wisconsin. Everyone was so friendly and generous. I awoke to the smell of freshly brewed coffee and the wet nose of a dog sniffing my face. Mike drove us to Sonic Foundry and we hung out all day interviewing. My bus ride back to Chicago was not easy to tolerate as I was completely excited about the possibility of working for such a cool company. One hour into my ride home and my mobile rings. I answer it and it's Sonic Foundry's Human Resources telling me I got the job. I worked at Sonic Foundry for about two years editing and ACIDizing loops, making demo songs, preparing remix contests for ACIDplanet.com, and scoring advertisements. Some of my most adored accomplishments were helping to develop ACIDplanet.com, scoring and producing the Acid MTV commercial, writing the script and music for the Chicago B96 Acid radio commercial, editing the content and preparing samples for the Beck and Beastie Boys remix contests for ACIDplanet.com, and and demoing products at Peter Gabriel's WOMAD tour in Seattle. Working at Sonic Foundry was such a great experience and I learned so much but it was too good to be true. The company went public and became a huge success until the market crash winter of 2000. This is when 200 hundred employees including myself lost our jobs on Christmas weekend do to company downsizing. Luckily Mike kept me busy with freelance work. I produced all of the loops for ACID Dj 3.0 which was developed specifically to sell at Best Buy and Computer Discount Warehouse nation wide. Sonic Foundry sold it's software and media to Sony. I then continued to produce 6 more loop CDs for Sony Media Software but this didn't pay the bills so I decided to start my own business producing royalty free loops for ACID and Soundtrack. The company is called Peace Love Productions. The name was inspired by the conflicts in Iraq. I've been running PLP for nine years from today and it has been a very fruitful experience. I feel blessed every day when I think about how it has helped me to grow as a person both creatively , mentally, and spiritually.
Acid - The Sonic Foundry...
09/25/10
4620
Sonic Foundry Corporate video from 1998. This little piece of History is very close to my...
Vintage synth track by RetroSound
Roland JD-800 + Oberheim...
09/21/11
4399
Vintage synth track by RetroSound "Baltic Sea" ambient track lead sound and pads: Roland JD-800 ...
The Perception 400 from AKG lives up to the company's hard-earned reputation. Watch this video review of the mic from Performing Songwriter Magazine.
Performing Songwriter...
07/19/08
7303
The Perception 400 from AKG lives up to the company's hard-earned reputation. Watch this video...
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