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AudioMIDI.com Film-TV Guest Panel part 9 of 9
Guest speaker panel at audioMIDI's 7/26/08 Film & TV Composition Clinic featuring Chris Stone (ASCAP award winner and founder of Audio Impressions), Joel Goldsmith (Stargate SG-1), Kevin Kiner (CSI:Miami) and Walter New (re-recording engineer and producer).
Oct 28, 2008. 10:47
2481

Soundcraft Guide to Mixing Chapter 3 - 1 - Masters
The Soundcraft Guide to Mixing explains for users what a sound mixer is, and how to use it to mix live (or recorded) music. Here we look at the mixers Master section.
Jul 5, 2009. 06:47
3743

Soundcraft Guide to Mixing Chapter 4 - 3 - Setting up a basic mix
The Soundcraft Guide to Mixing explains for users what a sound mixer is, and how to use it to mix live (or recorded) music. Here, we talk about setting up a basic mix.
Jul 5, 2009. 06:47
3303

BreakerBox with PreSonus
BreakerBox producer and drummer Scott Calandra talks about how he uses PreSonus gear to record and produce their music.
Feb 4, 2011. 21:34
2637

JZ Microphones Product Video
Video about JZ Microphone products including the new JZ Pop Filter, Drum Kit 1 and also Black Hole, Vintage and BT series . Music by Death by Vegas, special thanks to Guntis for voiceover.
Dec 16, 2011. 13:30
2568

Soundcraft Guide to Mixing Chapter 3 - 2 - Phantom power
The Soundcraft Guide to Mixing explains for users what a sound mixer is, and how to use it to mix live (or recorded) music. This chapter deals with phantom power for microphones.
Jul 5, 2009. 06:47
3522

AWS 900 from Solid State Logic - Intro
Solid State Logic's AWS900 is described in detail. Owners discuss what they like about the workstation and Ryan Hewitt (a producer) talks about how he uses the AWS 900 to make music.
Jun 1, 2008. 00:00
3727

Record Home Sessions - Amber Rubarth
Seasoned music producer and Norah Jones collaborator, Peter Malick, packed up his studio and moved it home to his living room and garage.
Jan 11, 2012. 12:21
2874

Tonelux EQ4P
By using the proportional Q and constant Q settings on the Tonelux EQ4P, you can grab that boosted-lows, cut-lows effect from the old Pultecs that had a wider boost and narrow cut. Boosting and cutting a the same time allowed a double bump in the low end that sounded very fat.
Feb 24, 2009. 14:39
2972

Recording techniques with Drew Malamud
Drew Malamud, producer/engineer and studio director for Studio Plateau out of Montreal, talks about key engineering techniques that can be applied in any studio situation. He also goes through a few popular studio microphones and recording techniques that are very important to the way he works in...
Jan 15, 2008. 00:00
4876
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