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Live from the showroom floor, Techbreakfast interviews the latest greatest gear. McDSP and Collin McDowell.
NAMM 2008 McDSP
04/01/08
3690
Live from the showroom floor, Techbreakfast interviews the latest greatest gear. McDSP and...
Dan-D is pretty excited about the Multi-band 7 Mixer from Blue Cat! Check it out!
Blue Cat - Walkthrough MB 7 ...
09/05/13
3141
Dan-D is pretty excited about the Multi-band 7 Mixer from Blue Cat! Check it out!
Let's stop into the Moog booth where Moog Music's Amos Gaynes chats of and demos the new features on the Moog Etherwave Theremin. http://AnalogSuicide.com
New Theremin Features -...
01/20/09
5363
Let's stop into the Moog booth where Moog Music's Amos Gaynes chats of and demos the new...
Here is a snippet of one of my Line 6 clinics . . . As mentioned in the vid, I am demonstrating some practical uses for the combination of Pod XT Live and Variax.
Steve MacKay Line 6 Clinic
01/29/08
3012
Here is a snippet of one of my Line 6 clinics . . . As mentioned in the vid, I am demonstrating ...
This 1993 Chuck Britz interview has not been available until now, 2008. Chuck was Brian Wilson's/the Beach Boys' recording engineer.
Chuck Britz interview, PART ...
07/07/08
3580
This 1993 Chuck Britz interview has not been available until now, 2008. Chuck was Brian...
This video demonstrates all the controls of the UAD Fatso Powered Plug-In with audio examples.
UAD Fatso Powered Plug-In...
07/12/10
3459
This video demonstrates all the controls of the UAD Fatso Powered Plug-In with audio examples.
HowAudio.com and Synthesis.net bring you drum miking techniques hosted by Les Camacho. He's worked with Pink Floyd, Massive attack, the Killers, Fleetwood Mac and many more.
Synthesis.net Drum Miking...
09/26/09
10395
HowAudio.com and Synthesis.net bring you drum miking techniques hosted by Les Camacho. He's...
Zildjian Factory Tour
Zildjian Factory Tour 2
07/02/08
3330
Zildjian Factory Tour
Bill Holland has more than a few screws loose in this video as he opens up the CME UF 50 controller keyboard for some surgery. If the surgery is a success, the implanted Waldorf Nano soundcard will give the CME controller the ability to act as a standalone keyboard. If the surgery fails, however, Bill's medical license will be revoked, and he'll have to resort to being an actor -- possibly a stand-in for the Blue Man Group.
CME UF 50 And Waldorf Nano: ...
07/04/08
5792
Bill Holland has more than a few screws loose in this video as he opens up the CME UF 50...
Jointly designed by Ableton and Novation, Launchpad places Ableton Live at your fingertips. Whether you're a DJ, performing musician or studio producer, Launchpad gives you all you need to truly 'play' Live. Launchpad is ultra-portable. It is USB bus powered (no need for power sockets), and weights in at just 717gms (one third the weight of a macbook!). With a multi-colour 64-button grid and dedicated scene launch buttons, Launchpad is purpose built for triggering and manipulating clips in Live, it also offers a totally new way of controlling Ableton Live's mixer.
Novation Launchpad: Overview
09/13/10
2762
Jointly designed by Ableton and Novation, Launchpad places Ableton Live at your fingertips....
Here is a quick-start guide to using the MIDI Key editor in Cubase. The Key editor is a very powerful tool for quickly changing MIDI parts.
Cubase and MIDI Key editor
03/19/10
6436
Here is a quick-start guide to using the MIDI Key editor in Cubase. The Key editor is a very...
D'Addario EXL110 promo
Greg Howe - Jump Start...
05/01/08
2781
D'Addario EXL110 promo
A demo of the Numark 5000 Fx Mixer on a daft punk song. It's not a video did by me, I found it on the web, thanks to Dj Leo.
Demo Numark 5000 Fx Part 1/2
06/07/11
5825
A demo of the Numark 5000 Fx Mixer on a daft punk song. It's not a video did by me, I found it...
This is a sneak preview of the new Moon Modular MIDI2Clock M553 module, running with their M569 Step Sequencer.
Moonmodular M569 with the...
06/17/11
3937
This is a sneak preview of the new Moon Modular MIDI2Clock M553 module, running with their M569 ...
In this short video, Product Manager for the Apollo High-Resolution Interface, Lev Perrey, demonstrates the basic setup procedure for using Apollo within Pro Tools. Topics covered include: Loading The Driver, Setting The I/O Buffer, Using The Console Recall Plug-In, and more. Visit www.uaudio.com for more information.
Setting up Apollo w/ Pro...
03/05/12
3328
In this short video, Product Manager for the Apollo High-Resolution Interface, Lev Perrey,...
Hello all, this is a little experiment I've been up all night playing with and uploading this video. I got the original idea from a document called 'The Dub Scrolls' by the Interruptor (although the idea was submitted by davyvelocirapt0r) The idea was to run an AM radio (with a knob) into effects and slowly tune between stations. So that’s kind of what I did! Here’s the set up.. First up, there's a radio set up on the AM frequency band range. So this is our source. This signal is taken out of the radio through the 'headphone out'. Our signal is then going to the mini Korg Kaoss Pad (RCA Phono jack) - which is a dynamics effects processor, although this doesn’t mean its limited to just effecting the dynamics, this little box does so much more. It has 99 banks of effects, all with their parameters controllable by the XY pad. It also includes 2 memory points and also a tap tempo for time syncopated effects (which I loosely play with in this example, but not any noticeable effect as we don’t have a tempo or anytime of rhythm...just noise really I guess. So after our signal is manipulated inside the Korg miniKP, it comes out (via RCA Phono jack) and into the M-audio FastTrack Pro which is where the all the magic happens to record it down into binary code, the journey through multiplexors and all that jazz which I need to touch up my theory on! Ableton Live (7.0.3) is the program recording this audio down to storage. Our signal is coming through onto a channel strip where I've set up a low-pass filter to take away those awful high end screeches we might get from tuning the radio. The curve of the attenuation starts at around 2 kHz and then hits the bottom at around 5 kHz. After this in the processing chain on the channel, there is a frequency conscious ping-pong delay, with the frequencies that are to be effected set to 5 kHz. Although we've taken that exact frequency out with the Eq earlier (we've attenuated it - not completely taken away), the Q of the Eq on delay is quite wide, and so it’s affecting those around 5 kHz as well. This gives whatever’s left of the top end a nice smooth edge to it. Also, because its not getting as much gain as the rest of the track is, due to the curve of the Eq before it in the chain, the outcome of the combined processing has smoothed it further out and blurred it slightly, which is just what we want went scanning through the raw harsh bites of radio frequency 'noise'! That concludes the chain. So there is a quick bit of detail to how the experiment was set up, hopefully nothing to confusing...the visual element should help. ___________________________________________ I'll work on getting the WAV files up as soon as if people wants them, i think there are some interesting sound in there, such as ones that can be cut up and used for quick stabs or maybe take parts and stretch them to get an unusual atmosphere or texture. I'll upload both the Ableton Live processed version, and the version straight from the miniKP. Any questions I'll sure try to answer, and please do ask questions, or maybe share your own tips with similar set ups? Thanks for watching, hopes someones found interesting! - Al Vuelo - www.myspace.com/alvuelomusic - A Vision in Bloom -
Tuning a Radio via Korg...
02/11/10
5155
Hello all, this is a little experiment I've been up all night playing with and uploading this...
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