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part 12
Reason 4 tutorial 12
05/19/08
1709
part 12
Demo video of Brainworx new bx_hybrid TDM EQ-plugin.
Brainworx bx hybrid
11/20/12
7161
Demo video of Brainworx new bx_hybrid TDM EQ-plugin.
Every dynamic processor has its own transfer curve. Depending of the time related settings, a same transfer curve produces different resuluts.
Audio Dynamic Processors by ...
04/23/10
3295
Every dynamic processor has its own transfer curve. Depending of the time related settings, a...
Learn how to use Waves CLA classic compressors with this quick and easy tutorial.
Waves CLA Tips & Tricks
12/05/09
10762
Learn how to use Waves CLA classic compressors with this quick and easy tutorial.
This is the first installment of
The Recording Process,...
03/04/08
3195
This is the first installment of "The Recording Process" which covers preproduction - all the...
A cool double bass sounding beat with one pedal .
Drum Lesson: Double Bass...
11/07/09
5385
A cool double bass sounding beat with one pedal .
Axewound, Killing Joke and Pop Will Eat Itself drummer Jason Bowld talks us through Roland's BT-1 trigger pad. Subscribe now and don't miss any Drum Expo Vid...
Drum Expo 2013 Roland BT-1...
07/30/13
3470
Axewound, Killing Joke and Pop Will Eat Itself drummer Jason Bowld talks us through Roland's...
Recreations, again by ear, of some classic early 80s beats that were originally made on a Roland TR-808 drummachine. This became the signature sound for freestyle music and later for house. No actual records were sampled. All sounds are from the 808, except the synth drum solos played on the ribbon controller. I noticed that some of the tracks actually used LinnDrum kicks *. Only the SX's internal effects and synthesis were used.
TR-808 Classic Beats on...
12/10/09
4074
Recreations, again by ear, of some classic early 80s beats that were originally made on a...
Using Flex to fix an audio loop to tempo
Logic Pro 9 Preview -...
09/26/09
3973
Using Flex to fix an audio loop to tempo
The JUPITER-50 is equipped with a sound engine that's the sonic equal of its big brother JUPITER-80, containing most of the SuperNATURAL acoustic and synthesizer tones found in the JUPITER-80. It also retains the same Live Set architecture, where four separate sound engines can be stacked together to create massive voices such as classic fat synth tones. Users can even import JUPITER-80 sound data into the JUPITER-50. In addition, powerful multi-effects and reverb are onboard for studio-quality sound processing.
Musikmesse 2012 JUPITER-50...
03/21/12
3778
The JUPITER-50 is equipped with a sound engine that's the sonic equal of its big brother...
A patch that uses the module Envelope Follower of the Moog Modular V2 Arturia and generates feedback evolutionary creating an atmosphere to Floyd Ummagumma.
Feedback evolutionary with...
07/14/09
3468
A patch that uses the module Envelope Follower of the Moog Modular V2 Arturia and generates...
ProGuitarShop Riff of the Day. Learn how to play Red Hot Chili Peppers, Can't Stop. We're using the Wampler Ego Compressor for this song's percussive clean tone. Balancing the volume of the high and low strings keeps the guitar at the forefront of the mix and the Wampler Ego Compressor can accomplish this with transparency. The 4 chord chorus finishes on a tasty Cmajor7 to spice up an otherwise common progression. So, enjoy your Red Hot Chili Peppers, Can't Stop guitar lesson.
Red Hot Chili Peppers -...
02/15/13
2145
ProGuitarShop Riff of the Day. Learn how to play Red Hot Chili Peppers, Can't Stop. We're using ...
MJM London Fuzz guitar effects pedal demo with Kingbee Tele & Jaguar Twin Amp
MJM London Fuzz
05/20/09
4270
MJM London Fuzz guitar effects pedal demo with Kingbee Tele & Jaguar Twin Amp
Dave Casey from Apogee gives you an overview of the ONE, a single-channel USB audio interface for Mac with a built-in microphone.
Apogee ONE Overview at...
09/08/09
5274
Dave Casey from Apogee gives you an overview of the ONE, a single-channel USB audio interface...
Kerry Hopwood is the Live Programmer/Musical Director for Depeche Mode. When it comes to staging a live DM show, theres no cutting corners. Kerry puts it simply: We need to use tools that work. In concert, Kerry and Depeche Mode rely on Ableton Live as an integral component of shaping the bands drum sound. In this movie, shot at a concert in Berlins Olympiastadion, Kerry discusses the advantages that Live offers for on-stage sound processing.
Drum processing with...
09/14/09
5203
Kerry Hopwood is the Live Programmer/Musical Director for Depeche Mode. When it comes to...
This was one of the coolest variations on a uke we saw at a show that was invaded by ukes: an electric bass ukulele. Kala had several models on display, and as you can hear, it sounds pretty good.
Kala U-Bass - Summer NAMM...
01/17/12
1855
This was one of the coolest variations on a uke we saw at a show that was invaded by ukes: an...
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