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Logic Pro 9 Preview - Flex #4
A new set of Flex Time tools allow Logic users to manipulate the timing and tempo of audio quickly and easily.
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Logic Pro 9 Preview - Flex #5
A new set of Flex Time tools allow Logic users to manipulate the timing and tempo of audio quickly and easily.
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Logic Pro 9 Preview - Flex #6
A new set of Flex Time tools allow Logic users to manipulate the timing and tempo of audio quickly and easily.
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Reason 5 & Record 1.5 - Blocks
Many musicians tend to think of music in terms like intro, verse, chorus, breakdown, buildup and so on. With the new Blocks mode in Reason 5 and Record 1.5, your sequencer does too. Blocks lets you sequence your songs using a more pattern-based approach, with the segments of your song as individual ...
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Record 1.5 - Neptune tutorial
In this tutorial, we're taking a deeper look at the Neptune Pitch Adjuster. We'll see how to correct to scale, to correct single notes via MIDI, how to use the Voice synth, the transpose function and more.
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Using the Apogee ONE to record a song on a Mac
Kate Linné of The Spin Silhouette takes us through her process of recording in her home studio with Apogee ONE, Logic and an iMac.
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Adobe Audition on the Mac - Technology Preview Pt 2
In this preview of Adobe Audition on the Mac, we'll take a look at the effects processing and mastering capabilities.
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Toontrack BeatStation Sneak Preview
It's not ready quite yet, but we got a sneak preview of the BeatStation software. Hint: It can even run on a Netbook.
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Adobe Audition on the Mac - Technology Preview Pt 1
This video features a technology preview of Adobe Audition on the Mac, focusing on the interface, file handing capabilities, and the incredible speed and precision of the editor.
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Livid Code Controller Preview
Here is a quick preview of Livid Instruments' Code controller. It is a grid based encoder controller, where each encoder act's a a button and knob. I am running Live here with the first knob in each row controlling the level for that column, and the effects for that column on the next 3 knobs. Each ...
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