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What Makes a Good Assistant Engineer?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses what someone needs to become a good assistant engineer -- and how to remain a good assistant engineer when you start thinking you know everything about recording.
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Toft Audio Designs ATB04 Pony Console - AES '09
The Toft Audio ATB04 Pony Console demonstrated by famed engineer and Trident Creator Malcolm Toft at AES 2009. This ingenious product allows users to experience the complete sound and functionality of the larger format ATB boards such as the ATB 16, 24, or 32, in a package that can be easily...
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JJP on Vintage gear - Fairchild and Pultec
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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JJP on starting out as an engineer and Ocean Way Studio & gear
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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JJP Mixing tips - Instinct VS. Intellect
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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JJP on using Waves plugins
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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Drum recording, comparing close mics to room mic
A demonstration of the difference in sound between different close mics and a room mic. When all close mics are used, the sound of a drum kit is vastly different to what it actually sounds like, compared to if you were actually in the room. There are no effects added, no eq or compression, just a...
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How to Mic an Amp with Engineer Drew Malamud
In this clip, Drew Malamud, producer/engineer and studio director for Studio Plateau out of Montreal, discusses different microphone techniques for mic-ing an amplifier and the details that are involved in various microphone combinations.
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AES Oral History 028: Alex Balster
AES Oral History 028: Alex Balster. While working for Polygram, helped develop technology that enabled CDs to store and reproduce music. Owns and operates a consulting company that specializes in the design and supervision of high quality acoustical projects for the art, audio / video, media and...
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AudioMIDI.com Film-TV Panel 1of9
Guest speaker panel at audioMIDI's 7/26/08 Film & TV Composition Clinic featuring Chris Stone (ASCAP award winner and founder of Audio Impressions), Joel Goldsmith (Stargate SG-1), Kevin Kiner (CSI:Miami) and Walter New (re-recording engineer and producer).
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