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Recording techniques with Drew Malamud
Drew Malamud, producer/engineer and studio director for Studio Plateau out of Montreal, talks about key engineering techniques that can be applied in any studio situation. He also goes through a few popular studio microphones and recording techniques that are very important to the way he works in...
Jan 15, 2008. 00:00
4554

Becoming an Engineer
In this interview, Hank Neuberger, an audio engineer and manager of 3rd Wave Productions, talks about what it takes to become an audio engineer today.
Aug 7, 2008. 13:54
2869

Do You Need an Engineer in the Studio?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses do-it-yourself recording sessions (engineered by the artist or producer) versus sessions engineered by a professional, and assesses the benefits of working with a...
Jul 1, 2008. 00:00
4354

How to Evaluate an Engineer You Want to Hire ?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, presents some criteria that an artist or producer should look for when deciding whether evaluating whether a given engineer is the right person for the project.
Jul 1, 2008. 00:00
3289

What Makes a Good Assistant Engineer?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses what someone needs to become a good assistant engineer -- and how to remain a good assistant engineer when you start thinking you know everything about recording.
Jul 11, 2008. 00:00
3208

Advice for the Aspiring Recording Engineer
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, gives advice to novice engineers on developing the listening, technical, and diplomatic skills that great engineers all possess.
Jul 7, 2008. 00:00
3410

JJP on starting out as an engineer and Ocean Way Studio & gear
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
Jul 5, 2008. 00:00
4339

How to Prepare for the Recording Studio : What to Ask a Recording Engineer
Time is money and recording music takes time. Learn what to ask the engineer in order to get the best sound from a recording expert.
Feb 21, 2009. 10:29
5775

Crowley and Tripp Studio Vocalist Ribbon Microphone
The Crowley and Tripp Studio Vocalist is an all-new, full size, professional ribbon microphone. No other natural ribbon microphone has the output level and quality of the Studio Vocalist. It has a higher output than a stage dynamic mic, almost no self-noise, and a ruggedness unsurpassed in ribbon...
Nov 4, 2008. 14:29
5229

Microphone Techniques - New Online Course
Learn more at: bit.ly Microphone Techniques is designed to give you the solid background and skill set necessary for successfully planning and implementing recording sessions ranging from single-mic overdubs to full rhythm sections. Throughout the course, you'll learn about the various elements of...
Mar 5, 2012. 15:11
2980
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