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Chicago Recording Company's Chris Shepard, who also may or may not be an excellent bass fisherman, talks about the Studer a827 tape machine. It's the Lowrance Flasher Depth Finder of tape machines.
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How to cut a analog reel-to-reel tape
This video will show you how to cut a analog tape on the professional reel-to-reel tape recorder Studer A816.
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Welcome the newest Neumann Microphone, the TLM 102 Large Diaphragm Microphone, to the recording stage. Here we use the TLM 102 on a several different Saxophones, Alto and Tenor, through a Millennia Origin (HV3 style preamp) without any of the processing engaged. These recordings contaning no EQ and ...
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Analog Audio Editing with ReVox
Freaky montage by JTHZ. 80s tape cuts played back on a ReVox B77, using Maxell tape, BASF PW 384 stickers. Used for this were : Tighten Up/I Just Can't Stop Dancin' - Wally Jump jr./Arthur Baker, Reach Up - Tony Lee, The Right Stuff - Brian Ferry, and parts of Macho Mozart - The Latin Rascals
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How To Mic Drums - Introduction
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Tonelux TXC Compressor Module
Tonelux TXC Compressor, Feedforward and Feedback Blending, Tilt in the sidechain, Over Compression, Linking, Ultra Fast and Ultra Slow Attack, Side Chain, Input/Compression Parallel mixing and AutoGain Makeup!
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Interview With Electro-Harmonix Founder Mike Matthews At Summer NAMM 2008, Part Three
In the third part of Gearwire's powwow with Mike Matthews, founder of Electro-Harmonix, Mike talks to Britton about the philosophy behind the Electro-Harmonix sound and design.
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PreSonus LIVE: Briana Tyson and a whole lot of ADL 600 and ADL 700 Preamps.
We flew Briana in to Baton Rouge, assembled a killer band, and had them track a few songs using Rick's monster rack of ADL 600 and ADL 700 preamps—because we can. EVERY channel of audio in this production was run through the ADLs. How do you think it sounds?
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