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In The Studio With Tony Maserati (Part 2 of 6)
Multi grammy-winning mix engineer Tony Maserati discusses subtractive equalisation, the random quirks of analogue, and what he does to compensate for that in...
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Bob Katz - music mastering and loudness Part 1
Top mastering engineer Bob Katz talks about the consequences of the past decades' unnecessary war of loudness, and illustrates how today's extremely high mastering levels degrade the quality of popular data-reduced formats, such as mp3. The session took place at DR Denmarks Radio, fall 2009. Enjoy...
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Bob Katz - music mastering and loudness Part 2
Top mastering engineer Bob Katz talks about the consequences of the past decades' unnecessary war of loudness, and illustrates how today's extremely high mastering levels degrade the quality of popular data-reduced formats, such as mp3. The session took place at DR Denmarks Radio, fall 2009. Enjoy...
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AES 2013 Eventide Mixing Link
Microphone Preamp with Effects Loop and Phantom Power.
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Soundcraft Guide to Mixing Chapter 4 - 1 - Connecting equipment
The Soundcraft Guide to Mixing explains for users what a sound mixer is, and how to use it to mix live (or recorded) music. This chapter talks about connecting equipment to your mixer.
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MP3s and Sound Quality
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses the lesser sound quality of most MP3s as compared to compact disc, and whether this difference actually matters to consumers.
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JJP on starting out as an engineer and Ocean Way Studio & gear
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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JJP Mixing tips - Instinct VS. Intellect
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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JJP on using Waves plugins
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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JJP on Vintage gear - Fairchild and Pultec
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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