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The Charter Oak PEQ1 is a gorgeous sounding Stereo EQ featuring wide overlapping bands that musically take a rough Jazz mix to a much more polished state. While not a Parametric EQ, this PEQ-1 Program EQ features some amazing tonal control, as these extremely powerful filters have ideally-located...
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Vocal mic'ing techniques proximity effect
Tony Shepperd talks about the well-known proximity effect with help from a U47.
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How to Use the Delay Effect : Part 2
In this edition of Liepe's Licks, Chris takes another look at the delay effect. He demonstrates a lick that is vastly improved by the beautiful subtle nature...
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NAMM 2009 - Chandler TG Limiter (EMI Abbey Road)
The Chandler TG limiter is an amazing recreation of the circuitry that was made famous at Abbey Road on records such as "Come Together". This is, in a word, the sound of The Beatles. I was hoping to hear a certain thing and was delighted that Chandler was prepared to demo *precisely the sound I was ...
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Moog MF102 Moogerfooger Ring Modulator: Fiddling With The MF102
The Moog MF102 Ring Modulator is quite a stompbox for an effect that you don't normally hear. With so many options, you can get a wide range of tones - rarely any of which are conventional. Check out the first part of this video here.
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Understanding Compressors
In this Sonic Academy compression extravaganza, we will show you the full shebang starting with what compression does, the controls, how to apply it, using compression to get effects such as parallel, series and the all important side-chaining compression effect.
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Sound Design for King Kong (Post/production) 2 of 7
Now that the sound effects library is full, it's time to put it all together!
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NAMM2013 Manley Dual Vocal Combo, Mini Massive
Manley introduced two limited edition rack units at NAMM...but they might be sold out by the time you read this.
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NAMM2012 Alto Masterlink Live 16
This 16-channel mixer uses an iPad for various functions, including real-time analysis, equalization, and recording.
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Bruce Swedien speaks about gear
Bruce Swedien speaks at Audio Pro Show in Seattle in 1993 about early recording gear, mikes, time.
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