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Empirical Labs Distressor
The Distressor is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications. Basically, it electronically controls the volume of just about any source in a very pleasing, and "musical" manner - adding fullness, intelligibility, and...
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NAMM2012 Behringer Xenyx Mixer Updates
The Xenyx line now includes effects algorithms from Klark-Teknik, USB interfacing, and one-knob compression.
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Soundcraft Guide to Mixing Chapter 4 - 5 - Using FX
The Soundcraft Guide to Mixing explains for users what a sound mixer is, and how to use it to mix live (or recorded) music. Here, we look at using effects processors.
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Langevin by Manley Labs - Part 1
Chris Dauray from Manley Labs discusses the history of Langevin and some of the professional audio products they currently produce, including the Mini Massive EQ and the Dual Vocal Combo channel strip.
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Langevin by Manley Labs - Part 2
Chris Duaray from Manley Labs discusses the history of Langevin and some of the professional audio products they currently produce, including the Mini Massive EQ and the Dual Vocal Combo channel strip.
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Toft Audio Designs ATB04 Pony Console - AES '09
The Toft Audio ATB04 Pony Console demonstrated by famed engineer and Trident Creator Malcolm Toft at AES 2009. This ingenious product allows users to experience the complete sound and functionality of the larger format ATB boards such as the ATB 16, 24, or 32, in a package that can be easily...
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Training Recording Engineers at Berklee
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses how engineers and producers at Berklee are trained in the art of audio engineering, and assesses what an emphasis on technology (such as Pro Tools) takes away from...
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TC-Helicon Voicelive Touch at Summer NAMM 2010
VoiceLive touch is a harmony generator, looper, and processor designed specifically for vocalists - with a really convenient touch interface.
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KRK Ergo - Fix Before U Mix, Part 1 of 2
A great mix starts with a great recording room. But when it comes to achieving the most accurate mix, your room may have the upper hand. Like any room, your studios acoustics include offending frequencies and room reflections, and none of these are helping your mix. Getting a handle on these...
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KRK Ergo - Fix Before U Mix, Part 2 of 2
A great mix starts with a great recording room. But when it comes to achieving the most accurate mix, your room may have the upper hand. Like any room, your studios acoustics include offending frequencies and room reflections, and none of these are helping your mix. Getting a handle on these...
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