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NAMM2013 PreSonus—Live from NAMM 2013: Hadrian Feraud, Michael Lecoq, & David Haynes
Hadrian Feraud, Michael Lecoq, & David Haynes kickin' butt.
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AES Oral History 005: John M. Eargle
AES Oral History 005: John M. Eargle. (1931-2007) Educator, mentor, and friend of many in the audio community. Served as Vice President of Product Development at JBL Professional, recorded or produced some 275 compact discs, wrote several popular books on audio engineering topics, was past...
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Sony C800g vs. Peluso VTB Microphone Shootout -- Female Vocals
The Sony C800g PAC is one of the most well-respected microphones in the world that is actually in current production... it is also one of the most expensive. John Peluso, of Peluso Microphone Labs created the VTB (Vacuum Tube Bottle), with the sound of the C800g in mind. While they are not exactly...
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AES Oral History 063: Subir K. Pramanik
AES Oral History 063: Subir K. Pramanik. Instrumental in the introduction of aesthetics to Bang & Olufsen products. AES International President 1993-1995, President 1997-1998, Board of Governors 1999-2001.
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Wusik Arduino Drum Machine Step-Note Tracks (S1 and S2)
For Version 1.0.4 we added 2 Step-Note Tracks for Bass and Synth lines. This is a short demonstration of 2 patterns playing both Drums and 2 Synth Lines. Those two new tracks, S1 and S2, have Note Selection per Step, Note-Off and Slide. [site] [site] |
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Electro-Harmonix Voice Processors Demo - Summer NAMM 2010
Demos by Kendra Morris
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NAMM2012: Livid CNTRL-R
Designed with Richie Hawtin, this step sequencer and controller is an Abletonators dream!
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NAMM 2009 - Chandler TG Limiter (EMI Abbey Road)
The Chandler TG limiter is an amazing recreation of the circuitry that was made famous at Abbey Road on records such as "Come Together". This is, in a word, the sound of The Beatles. I was hoping to hear a certain thing and was delighted that Chandler was prepared to demo *precisely the sound I was ...
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Boss GT-6 Is The Mortar That Holds This Cabin Together
Amplifying acoustic instruments like the violin in a live rock setting can be challenging enough on its own. Add time-based effects into the mix, and you're one step away from total, cacophonous chaos.
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CharterOak PEQ 1
CharterOak PEQ1 demonstration from Michael Deming, President CharterOak Acoustics.
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