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Focusrite Liquid Channel overview
The Liquid Channel is undoubtedly the most revolutionary product to grace the recording community for many years. The Liquid Channel transports classic front-end processing into the digital age, removing the need for endless patching and adding fluidity and reliability to the studio environment....
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Barefoot MicroMain 35 - AES 2009
Thomas Barefoot gives an overview of the Barefoot Sound MicroMain 35 3-way active monitor w/integral subs at the 2009 AES Convention in New York City.
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One mic drum test (getting good drum sound on video)
One mic, pretty damn good sound. Here's how I did it: I played my trusty Tama Starclassic Performer (birch shells). Mapex M Series birch snare with stock head. For cymbals.... Zildjian 14" New beat HH Zildjian 70s sizzle ride with rivets Zildjian A Custom 16" Fast Crash (near HH) Sabian AAX 16"...
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What Makes a Good Assistant Engineer?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses what someone needs to become a good assistant engineer -- and how to remain a good assistant engineer when you start thinking you know everything about recording.
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NAMM2012 Line 6 StageSource L3t Powered Speaker
Line 6's StageSource system includes the L3t Powered Speaker, a smart speaker that knows when it's standing upright on a pole, it behaves like a main, and that when you tilt it on its side, it's a stage monitor. It's just like an iPhone with an accelerometer! It also comes with onboard DSP and Line ...
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Episode 4 - Microphone Techniques
Polar Patterns, types of diaphragm, distant and close miking, Stereo and mono techniques
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Can Digital Recordings Sound as Good as Analog?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses whether digital recordings can sound as good as analog, and what determines the quality of a good or bad digital recording. He also shares his thoughts on whether or ...
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Alesis Multimix8 USB FX Mixer - Summer NAMM 2010
This USB mixer/interface features two sweepable midrange EQs on channels 1 and 2, improved design, guitar input, XLR mic connectors, and affordable pricing.
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PreSonus StudioLive 24.4.2 - Winter Namm 2010
Following up on the runaway success of its StudioLive 16.4.2 digital mixer, PreSonus announced a new member of the family: the StudioLive 24.4.2. Like its 16-channel sibling, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements ...
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PreSonus StudioLive 24.4.2 - Winter Namm 2010
Following up on the runaway success of its StudioLive 16.4.2 digital mixer, PreSonus announced a new member of the family: the StudioLive 24.4.2. Like its 16-channel sibling, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements ...
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