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NAMM2013 Lindell Audio 500 Series rack and 17X
2.4 Amp 500 Series rack & 17X hand built one channel transformer coupled compressor/limiter.
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Tonelux introduces TILT eight channel tone control
The innovative TILT control, designed by Tonelux founder Paul Wolff, rebalances a channel's high- and low-frequency content via a single knob, and was first featured on the company's MP1a discrete mic preamp module. Centered on approximately 700 Hz, the TILT control knob boosts high frequencies...
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Universal Audio 710 Twin-Finity Mic Pre & D.I.
The 710 Twin-Finity is a radically new Universal Audio pre-amp design which uniquely combines both the classic retro warmth of UA tube design and the transient bite of solid-state in a 2U, half-rack, all-metal chassis. The 710 was created specifically to add the tonal versatility and sonic...
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NAMM2012 Mackie DL1608 Digital Mixer
Mackie's DL1608 is indeed a digital mixer, with 16 input channels that have Onxy preamps, EQ, dynamics, and effects - but the UI is controlled by an iPad, and you can even mix remotely via wireless.
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Tonelux Mp1A Discrete Mic Pre with TILT
The MP1A is an all discrete Mic Pre with both XLR Mic level inputs as well as an unbalanced instrument input. The MP1A has a VU meter and a Peak LED that work independently of each other. There is also the now famous TILT control (TM) that adds or subtracts a minute amount of low or highs.
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PreSonus HP4 4-Channel Headphone Amplifier
The new HP4 from PreSonus answers the need for a headphone distribution amplifier with professional specifications in a small package at an affordable price. The HP4 features four discrete headphone outputs on the front panel each with its own volume potentiometer and 150mW of amplification per...
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Tonelux MX2 Input Module
The Tonelux MX2 Input Module includes +4 dBu in, Insert, Level, External Fader, Pan to Stereo, AFL, PFL, Phase Polarity, 4 Sends, and it's all Discrete.
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Lexicon LXP-5 Multi Effects with Kaossilator Loop
We're just messing with this great little Lexicon unit, the LXP-5 and a Kaossilator loop. Of course you can get a great reverb out of it but I wanted to hear something interesting.
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NAMM2012 Phoenix Audio DRSQ4 II
Stereo Class A Microphone pre-amplifier/DI/EQ
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Compressor vs De-Expander
Two types of processor allow to lower the dynamic range. The compressor reduces the gain above the treshold while the de-expander increases the gain below the threshold. Since they don't touch the same part of the signal, the results are very different.
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