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Drum recording, comparing close mics to room mic
A demonstration of the difference in sound between different close mics and a room mic. When all close mics are used, the sound of a drum kit is vastly different to what it actually sounds like, compared to if you were actually in the room. There are no effects added, no eq or compression, just a...
Sep 5, 2008. 10:47
10202

Geoff Foster talks about System 6000
Geoff Foster - high-end film score producer - lets us in on how he utilizes his TC Electronic System 6000 units. Foster has been working on many blockbuster movies including 5 James Bond movies, The DaVinci Code, The Pirates of the Caribbean series, and most recently, Sherlock Holmes. Overall,...
Aug 28, 2010. 20:33
2882

Tonelux TXC Compressor Module
Tonelux TXC Compressor, Feedforward and Feedback Blending, Tilt in the sidechain, Over Compression, Linking, Ultra Fast and Ultra Slow Attack, Side Chain, Input/Compression Parallel mixing and AutoGain Makeup!
Feb 13, 2009. 16:00
3779

TC Electronic Voice Live Vocal Effects FX Processor
Singer-songwriter Laura Clapp discusses a really cool new product from TC Electronic. It's called "Voice Live" Polish your vocals to perfection using EQ, compression, pitch correction, harmonies and effects. VoiceLive brings your signature vocal sound on the road, putting your studio voice tools at ...
Feb 5, 2009. 14:00
9277

One mic drum test (getting good drum sound on video)
One mic, pretty damn good sound. Here's how I did it: I played my trusty Tama Starclassic Performer (birch shells). Mapex M Series birch snare with stock head. For cymbals.... Zildjian 14" New beat HH Zildjian 70s sizzle ride with rivets Zildjian A Custom 16" Fast Crash (near HH) Sabian AAX 16"...
Aug 13, 2009. 21:29
6787

Summer NAMM: Alesis Multimix 8 Line & Pro Track
Alesis Multi Mix 8 Line, 8 Channel Line Mixer & Pro Track 16 Bit remote Recorder
Jun 29, 2008. 00:00
3170

Tonelux introduces TILT eight channel tone control
The innovative TILT control, designed by Tonelux founder Paul Wolff, rebalances a channel's high- and low-frequency content via a single knob, and was first featured on the company's MP1a discrete mic preamp module. Centered on approximately 700 Hz, the TILT control knob boosts high frequencies...
Apr 17, 2010. 14:59
3161

Side-chaining in iZotope Alloy
Side-chain compression can be a vital tool for podcasts, radio broadcasts, as well as music and film production. iZotope Alloy supports side-chain compression, allowing users to compress their audio based on any incoming audio from another audio track. Alloy can also perform multiband side-chaining ...
Jul 6, 2010. 09:28
3866

Bricasti M7 Stereo Reverb
You know the old saying: "some plates may drop in value, but most plates go up." This advice doesn't really offer any kind of advice for picking out a reverb, so we enlisted engineer Matt Boudreau of Broken Radio Studio in San Francisco to provide a little guidance. Matt broke out his studio's two...
Apr 21, 2009. 17:29
4828

Moog Music, Inc. - Moog MF-104M Analog Delay Pedal
Www.soundpure.com Moog's newest MF-104M Analog Delay Pedal is more than just a revision to the now discontinued MF-104 line of Analog Delay Pedals, it is an improvement upon an already very impressive model. Not only can it still offer all the same functions of it's predecessors, but takes into...
Aug 27, 2012. 12:21
2127
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