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PreSonus StudioLive 24.4.2 - Winter Namm 2010
Following up on the runaway success of its StudioLive 16.4.2 digital mixer, PreSonus announced a new member of the family: the StudioLive 24.4.2. Like its 16-channel sibling, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements ...
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PreSonus StudioLive 24.4.2 - Winter Namm 2010
Following up on the runaway success of its StudioLive 16.4.2 digital mixer, PreSonus announced a new member of the family: the StudioLive 24.4.2. Like its 16-channel sibling, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements ...
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The Sennheiser E905 And E904 Microphones Both Get 3-6 DB More Gain Before Feedback, Have Great Tran
The e905 and e904 microphones are two more Sennheiser mics custom-designed for drum applications. They both get 3-6 dB more gain before feedback, have great transient response and high SPL level. But you can get as specific as you want with these - the e905 claims to be perfect for a snare with its ...
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Universal Audio 2-LA-2 Stereo Optical Compressor
The 2-LA-2 is not an exact component clone of the classic LA-2A, but a feature-enhanced stereo evolution of its ancestor that elegantly combines two channels of silky, tube-amplified, stereo matched optical gain reduction in one unit. Designed by original UREI engineer Dennis Fink, the 2-LA-2...
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UREI 1176 At Chicago Recording Company
Remember that Star Trek episode -- I'm talking about the original series, here -- where Kirk and co. are being held prisoner by the society of androids, and in order to defeat them the crew decides to tell them illogical statements in order to make the android-captors self-destruct, for example,...
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OTO Biscuit at BCM
Here's our first noodle with the incredible OTO Biscuit using the Studio Electronics SE-1X Red Eye as our source. The Biscuit (pronounced bis-kwee in French) is a stereo bit crushing effect with an analog multimode filter, true 8-bit pitch shifting, delay with midi sync, wave-shaping, and a filter...
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Empirical Labs Distressor
The Distressor is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications. Basically, it electronically controls the volume of just about any source in a very pleasing, and "musical" manner - adding fullness, intelligibility, and...
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Tonelux introduces TILT eight channel tone control
The innovative TILT control, designed by Tonelux founder Paul Wolff, rebalances a channel's high- and low-frequency content via a single knob, and was first featured on the company's MP1a discrete mic preamp module. Centered on approximately 700 Hz, the TILT control knob boosts high frequencies...
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Microphone Techniques - New Online Course
Learn more at: bit.ly Microphone Techniques is designed to give you the solid background and skill set necessary for successfully planning and implementing recording sessions ranging from single-mic overdubs to full rhythm sections. Throughout the course, you'll learn about the various elements of...
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Radial Workhorse 5000 Rack for API 500-series - AES '09
Radial Engineering unveils their extremely demanded and versatile Workhorse 5000 rack, which has 8x API 500-series compatible rack slots with hosts of additional improvements and features to a standard rack, as well as an 8x2 summing mixer (with pan) designed by former Neve engineers. The device...
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