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Akai EIE Pro Hi Resolution Audio Interface
The handsome big brother of the EIE - this adds 96kHz 24-bit audio to the USB audio interface. It also has a built in USB hub and MIDI too
Jul 27, 2012. 09:13
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AES Oral History 081: Hermann A.O. Wilms
AES Oral History 081: Hermann A.O. Wilms. Researcher in room acoustics. After obtaining a diploma in 1957 as an Engineer in industrial electronics, he joined the National Institute of Radio and Cinematography in Brussels as professor. Recipient of the AES Distinguished Service Medal Award in 2007...
Jun 15, 2008. 00:00
2352

The Sennheiser E905 And E904 Microphones Both Get 3-6 DB More Gain Before Feedback, Have Great Tran
The e905 and e904 microphones are two more Sennheiser mics custom-designed for drum applications. They both get 3-6 dB more gain before feedback, have great transient response and high SPL level. But you can get as specific as you want with these - the e905 claims to be perfect for a snare with its ...
Oct 24, 2012. 15:12
3329

Bricasti M7 Reverb V2 Discussion Video 1/2
This Bricasti M7 V2 Discssion is a primer on the design philosophy surrounding the upgrade path to this legendary reverb, and the philosophy behind designing a box that will be here to stay in many years to come. While V1 of the Bricasti M7 was designed for transparent and accurate reverbs, V2 is...
Sep 6, 2010. 14:18
3437

Bob Katz - music mastering and loudness Part 1
Top mastering engineer Bob Katz talks about the consequences of the past decades' unnecessary war of loudness, and illustrates how today's extremely high mastering levels degrade the quality of popular data-reduced formats, such as mp3. The session took place at DR Denmarks Radio, fall 2009. Enjoy...
Aug 26, 2010. 19:27
5471

Bob Katz - music mastering and loudness Part 2
Top mastering engineer Bob Katz talks about the consequences of the past decades' unnecessary war of loudness, and illustrates how today's extremely high mastering levels degrade the quality of popular data-reduced formats, such as mp3. The session took place at DR Denmarks Radio, fall 2009. Enjoy...
Aug 27, 2010. 15:28
4809

Compressor vs De-Expander
Two types of processor allow to lower the dynamic range. The compressor reduces the gain above the treshold while the de-expander increases the gain below the threshold. Since they don't touch the same part of the signal, the results are very different.
Apr 8, 2010. 21:32
3803

Universal Audio DCS Series
Universal Audio has partnered with original Euphonix founders Scott and Rob Silfvast to design a revolutionary series of DAW "expansion & enhancement" products under the Desktop Console System (DCS) family brand. The first two products in the DCS series (the Remote Pre & Monitor Master) combine a...
Jan 3, 2008. 00:00
4901

Digital Overload
When dealing with audio overloads in the digital domain, limiter prevents from unacceptable distortions. Turning down the gain control is the other option.
Feb 23, 2010. 15:53
3056

Soundcraft MFX Multi-Purpose Mixer
The MFX Series combines all the features of the popular Soundcraft MPM mixer with a built-in 24-bit, digital, Lexicon® effects processor, expanding the Soundcraft low-cost, multi-purpose compact range.
Jun 26, 2008. 00:00
4618
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