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Ribbon Microphone Shootout
This blind Ribbon Microphone shootout features the Shure KSM 313, Royer R121, Coles 4038, and AEA R84 - all four of which are eligible for our three-year ext...
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How To Mic Drums - Introduction
Introduction to a series of videos on how to mic up your drum set featuring clinician Mike Snyder and Kink. FM audio engineer Dean K. Also includes Mike's Microphone Terminology 101.
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Sigma ribbon microphone from Sontronics
One of Sontronics´ most popular microphones, and now established as an industry favourite, the Sontronics SIGMA ribbon microphone can be found in studios around the world. Ribbon microphones are renowned for their smooth, uncoloured audio characteristics. Most have transformer-based output, which...
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The Sennheiser E905 And E904 Microphones Both Get 3-6 DB More Gain Before Feedback, Have Great Tran
The e905 and e904 microphones are two more Sennheiser mics custom-designed for drum applications. They both get 3-6 dB more gain before feedback, have great transient response and high SPL level. But you can get as specific as you want with these - the e905 claims to be perfect for a snare with its ...
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Beyerdynamic Opus 88 Tom Mic - Summer NAMM 2010
This clamp-on mic is optimized for miking toms.
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JZ Microphones Vintage 11 shootout with Latvian Blues Band
For better quality and other microphone as Neumann U87, Black Hole 1s, Vintage 47 and Shure SM57 sound samples visit [site] Recorded using Pro Tools HD2 and SSL 4000 G, no EQ's, compressors or plugins. Guitar Gibson ES-339 and Fender... |
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Granelli Audio Labs G5790 - Summer NAMM 2009
Granelli Audio Labs unveils the G5790, a real SM57 modified to turn 90 degrees. Granelli Audio Labs uses brand new Shure® SM57s and inserts a custom-made aluminum part with an acoustically-engineered internal sound path. The result is a microphone that maintains the SM57's renowned durability and...
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MXL CR77 - Summer NAMM 2013
Live Microphone.
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Neumann TLM 102 Microphones - Saxophone Recording
Welcome the newest Neumann Microphone, the TLM 102 Large Diaphragm Microphone, to the recording stage. Here we use the TLM 102 on a several different Saxophones, Alto and Tenor, through a Millennia Origin (HV3 style preamp) without any of the processing engaged. These recordings contaning no EQ and ...
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Episode 4 - Microphone Techniques
Polar Patterns, types of diaphragm, distant and close miking, Stereo and mono techniques
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