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Compressor Side-chain Filters
Dan Worrall explains various uses of side-chain filtering in compressors, using FabFilter Pro-C and it's Expert section. The tutorial discusses compressing s...
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Mid Side compression with the UAD Fairchild 670 Compressor
The Fairchild 670 is a great mono and stereo compressor, but did you know that it has a unique feature that lets you compress the mono signal separately from the stereo signal? Watch the video to learn how.
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Side chaining in Logic Pro 8
Learn how to use the echo on a kick drum side chain to control the reverb on a guitar.
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Parallel Compression Bus - Logic Pro 8
Set up a parallel compression bus in Logic Pro 8 to enhance a drum loop.
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How to do Parallel Drum Compression in Logic
Here is a great trick for making your drums sound really big and it's simple to do. It's called Parallel drum compression. We will be using some drum sounds we recorded with Apogee's Quartet recording into Auria on an iPad. using only four mic's AKG D112 mounted inside the Kick, Shure SM57 on the...
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Tutorial: Parallel Compression / New York Compression in Cubase 6.5
Product specialist Sebastian Mönch shows you how to do parallel compression (aka New York compression) in Cubase 6.5.
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IZotope Ozone 4 - Mid/Side Processing
Mid/Side processing involves working independently with the sum and difference of the left/right channels of a stereo mix. We'll show you how to use the Mid/Side processing in Ozone 4 to get unprecedented control over your sound scape. Ozone 4 is a plug-in for RTAS/AS, AU, VST, MAS and DirectX...
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Installing and setting up CI1
CI1 start up tutorial
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Cubase Producers Tricks - Side Chains Video 5
This is part five of a five video series on side chaining in Cubase 6.5. Cubase 6.5 makes it easy to side-chain and in this video series we focus on producers tricks used by many popular artist. Be sure to see all five videos as we explore several producers tricks and techniques using Cubase 6.5....
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Setting up K-14 in a home studio
A simple documentation of the steps i took to get started using the K-14 scale for mixing in a home studio. As well as perhaps being useful for other people, I'm putting this up here to double check that I've understood the principle correctly. So if you see that i've done something strange please...
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