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JJP on starting out as an engineer and Ocean Way Studio & gear
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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JJP on using Waves plugins
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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JJP on Vintage gear - Fairchild and Pultec
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the artist's vision.
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How to Evaluate an Engineer You Want to Hire ?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, presents some criteria that an artist or producer should look for when deciding whether evaluating whether a given engineer is the right person for the project.
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Do You Need an Engineer in the Studio?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses do-it-yourself recording sessions (engineered by the artist or producer) versus sessions engineered by a professional, and assesses the benefits of working with a...
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Bob Katz - music mastering and loudness Part 1
Top mastering engineer Bob Katz talks about the consequences of the past decades' unnecessary war of loudness, and illustrates how today's extremely high mastering levels degrade the quality of popular data-reduced formats, such as mp3. The session took place at DR Denmarks Radio, fall 2009. Enjoy...
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Bob Katz - music mastering and loudness Part 2
Top mastering engineer Bob Katz talks about the consequences of the past decades' unnecessary war of loudness, and illustrates how today's extremely high mastering levels degrade the quality of popular data-reduced formats, such as mp3. The session took place at DR Denmarks Radio, fall 2009. Enjoy...
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Role of the direct box in recording active n passive direct injection guitar bass plug in lesson 5
In this video we discuss the role of the direct box for recording options and effects use when recording with Grammy award winning producer/engineer Ben Elliot.
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M-Audio EX66 Active Studio Monitors
The EX66 monitor is the culmination of years of research developing cutting-edge high-definition active reference monitor technology by M-Audio.
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Recording Engineers Then and Now
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses some of the great engineers of the past, and how their overall styles differ from what younger engineers are learning to do today.
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