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Controlling Feedback With Studiolive and Smaart
Marc Nutter, VP at Sonic Sense shares a couple techniques for controlling stage monitor feedback using PreSonus Studiolive and Rational Acoustics Smaart. Check out our blog: [site] |
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Tracking with the UAD-2 and the 710 Twin-Finity
Watch the Universal Audio Products in use in tracking of the San Francisco band Cannons and Clouds at Broken Records Studios.
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Summer NAMM 2012 - TC Electronic BH250
Bass amp head that features TC Electronic's revolutionary TonePrint concept
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How to Mic an Amp with Engineer Drew Malamud
In this clip, Drew Malamud, producer/engineer and studio director for Studio Plateau out of Montreal, discusses different microphone techniques for mic-ing an amplifier and the details that are involved in various microphone combinations.
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NAMM2013 Rupert Neve 511 Mic Pre...
These two new 500-series modules offer some unique features, but the 542 has an actual tape head in it...click to find out more.
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How a Compressor Works
Presented by Donald W. Mohr of Left Nut Records and Mohr Music Studios. Here he explains the mechanics of a compressor.
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Training Recording Engineers at Berklee
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, discusses how engineers and producers at Berklee are trained in the art of audio engineering, and assesses what an emphasis on technology (such as Pro Tools) takes away from...
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Echoverb & Fat Bustard at AES 2007
Kevin Walker from Unity Audio shows off his latest offerings, the 6-head Echoverb tape echo, and the Thermionic Fat Bustard Valve Mixer.
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Ocean Way Recording: Mixing For MP3 Format
Anyone who records from home should watch this interview with Allen Sides from Ocean Way Recording. Allen and Bill talk about the fractured mp3 philosophies in recording today. It's not about which mix is pumped up the most, it's about which mix has more punch.
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NAMM 2009 - Chandler TG Limiter (EMI Abbey Road)
The Chandler TG limiter is an amazing recreation of the circuitry that was made famous at Abbey Road on records such as "Come Together". This is, in a word, the sound of The Beatles. I was hoping to hear a certain thing and was delighted that Chandler was prepared to demo *precisely the sound I was ...
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