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How to Mic an Amp with Engineer Drew Malamud
In this clip, Drew Malamud, producer/engineer and studio director for Studio Plateau out of Montreal, discusses different microphone techniques for mic-ing an amplifier and the details that are involved in various microphone combinations.
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NAMM2013 Rupert Neve 511 Mic Pre...
These two new 500-series modules offer some unique features, but the 542 has an actual tape head in it...click to find out more.
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How a Compressor Works
Presented by Donald W. Mohr of Left Nut Records and Mohr Music Studios. Here he explains the mechanics of a compressor.
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Echoverb & Fat Bustard at AES 2007
Kevin Walker from Unity Audio shows off his latest offerings, the 6-head Echoverb tape echo, and the Thermionic Fat Bustard Valve Mixer.
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TUBE-TECH RM Series Recording Session
Listen to separate tracks from this TUBE-TECH recording. All tracks copied directly from the 24 track recorder, NO processing is used. Artist. HAWK, DK.
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Ocean Way Recording: Mixing For MP3 Format
Anyone who records from home should watch this interview with Allen Sides from Ocean Way Recording. Allen and Bill talk about the fractured mp3 philosophies in recording today. It's not about which mix is pumped up the most, it's about which mix has more punch.
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How to Evaluate an Engineer You Want to Hire ?
In this interview, Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, presents some criteria that an artist or producer should look for when deciding whether evaluating whether a given engineer is the right person for the project.
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Zoom H4n Handy Recorder
The new Zoom H4N handy recorder- now with the ability to record four tracks simultaneously.
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Pultec EQP-1A3 Is A Great Enhancement Tool At CRC
Chris Shepard at Chicago Recording Company doesn't need to "fix" things, because he does it right the first time. We can all use a little enhancement, though -- and Chris is not above it either. Hear how he uses his Pultec EQP-1A3 to aid in this process.
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The Sennheiser E905 And E904 Microphones Both Get 3-6 DB More Gain Before Feedback, Have Great Tran
The e905 and e904 microphones are two more Sennheiser mics custom-designed for drum applications. They both get 3-6 dB more gain before feedback, have great transient response and high SPL level. But you can get as specific as you want with these - the e905 claims to be perfect for a snare with its ...
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