Here is a great trick for making your drums sound really big and it's simple to do. It's called Parallel drum compression. We will be using some drum sounds we recorded with Apogee's Quartet recording into Auria on an iPad. using only four mic's AKG D112 mounted inside the Kick, Shure SM57 on the...
This is a first tutorial using Studio One. It's basically a test-run for my screen caption software. It shows just how easily you can set up a multi-out VST, add a bus channel for effects on all drum sounds and a FX channel for parallel compression.
Mid/Side processing involves working independently with the sum and difference of the left/right channels of a stereo mix. We'll show you how to use the Mid/Side processing in Ozone 4 to get unprecedented control over your sound scape. Ozone 4 is a plug-in for RTAS/AS, AU, VST, MAS and DirectX...
Kerry Hopwood is the Live Programmer/Musical Director for Depeche Mode. When it comes to staging a live DM show, theres no cutting corners. Kerry puts it simply: We need to use tools that work. In concert, Kerry and Depeche Mode rely on Ableton Live as an integral component of shaping the bands...
Danny Byrd (Hospital Records) shares some of the vocal tricks he used to create "Shock Out" and other tracks on his album "Supersized." Music: Shock Out & Weird Science by Danny Byrd
Building upon decades of UA's analog design heritage, the Apollo and Apollo 16 offer extremely high-resolution sound — with the lowest THD and highest dynami...
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